In the near future, a civil servant is offered the salary of her dreams and is, shortly afterward, told what project she’ll be working on. A recently established government ministry is gathering “expats” from across history to establish whether time travel is feasible—for the body, but also for the fabric of space-time.
She is tasked with working as a “bridge”: living with, assisting, and monitoring the expat known as “1847” or Commander Graham Gore. As far as history is concerned, Commander Gore died on Sir John Franklin’s doomed 1845 expedition to the Arctic, so he’s a little disoriented to be living with an unmarried woman who regularly shows her calves, surrounded by outlandish concepts such as “washing machine,” “Spotify,” and “the collapse of the British Empire.” But he adjusts quickly; he is, after all, an explorer by trade. Soon, what the bridge initially thought would be, at best, a seriously …
In the near future, a civil servant is offered the salary of her dreams and is, shortly afterward, told what project she’ll be working on. A recently established government ministry is gathering “expats” from across history to establish whether time travel is feasible—for the body, but also for the fabric of space-time.
She is tasked with working as a “bridge”: living with, assisting, and monitoring the expat known as “1847” or Commander Graham Gore. As far as history is concerned, Commander Gore died on Sir John Franklin’s doomed 1845 expedition to the Arctic, so he’s a little disoriented to be living with an unmarried woman who regularly shows her calves, surrounded by outlandish concepts such as “washing machine,” “Spotify,” and “the collapse of the British Empire.” But he adjusts quickly; he is, after all, an explorer by trade. Soon, what the bridge initially thought would be, at best, a seriously uncomfortable housemate dynamic, evolves into something much more. Over the course of an unprecedented year, Gore and the bridge fall haphazardly, fervently in love, with consequences they never could have imagined.
Supported by a chaotic and charming cast of characters—including a 17th-century cinephile who can’t get enough of Tinder, a painfully shy World War I captain, and a former spy with an ever-changing series of cosmetic surgery alterations and a belligerent attitude to HR—the bridge will be forced to confront the past that shaped her choices, and the choices that will shape the future.
An exquisitely original and feverishly fun fusion of genres and ideas, The Ministry of Time asks the universal What happens if you put a disaffected millennial and a Victorian polar explorer in a house together?
I found this to be enjoyable, but it jumped around between the genres too much for my liking.
It really irked me that the MC never gets named. It was at least bearable due to the perspective being almost entirely from her point of view, but with how much she interacts with the other characters, it drove me a little bonkers that she was never called by any name.
I'm glad that I read this still, but it's not one that I'm ever going to have an interest in revisiting.
Kaliane Bradley's "The Ministry of Time" is a delightful surprise, a story that exceeded my expectations and left me wanting more. The premise is intriguing: a world where time refugees, displaced from their own timelines, find sanctuary in modern-day London. The Ministry of Time, tasked with managing these refugees and preventing temporal disruptions, is a fascinating concept, and Bradley's execution is superb.
The characters are the heart of this story, and Bradley's character development is exceptional. Graham, poached from his own timeline, is a standout. His awkwardness and unintentional crudeness are both cringeworthy and hilarious. I found myself chuckling at his mishaps and rooting for him as he navigated the complexities of his new reality. The relationships and romance between the characters are beautifully portrayed, with genuine warmth and humor.
The science fiction elements are light, focusing more on the human impact of time travel than on the technicalities. While …
Kaliane Bradley's "The Ministry of Time" is a delightful surprise, a story that exceeded my expectations and left me wanting more. The premise is intriguing: a world where time refugees, displaced from their own timelines, find sanctuary in modern-day London. The Ministry of Time, tasked with managing these refugees and preventing temporal disruptions, is a fascinating concept, and Bradley's execution is superb.
The characters are the heart of this story, and Bradley's character development is exceptional. Graham, poached from his own timeline, is a standout. His awkwardness and unintentional crudeness are both cringeworthy and hilarious. I found myself chuckling at his mishaps and rooting for him as he navigated the complexities of his new reality. The relationships and romance between the characters are beautifully portrayed, with genuine warmth and humor.
The science fiction elements are light, focusing more on the human impact of time travel than on the technicalities. While I would have liked to see more exploration of the time refugees' powers and the consequences of their displacement, the story's emphasis on relationships and personal growth is ultimately satisfying. The ending leaves the possibility of further adventures open, and I sincerely hope Bradley revisits this world and its characters in the future.
Overall, "The Ministry of Time" is a captivating read. Bradley's skillful storytelling, engaging characters, and thought-provoking themes make this a book that will stay with me long after the final page. If you're looking for a unique and emotionally resonant story, I highly recommend giving this book a try.
–This review was drafted by A.I. (Gemini) with a fairly lengthy prompt containing my opinions. Actually, much of the review is my actual prompt. I then edited the draft and posted it. –
Time travel - if considered a genre, is a favorite of mine. (I especially enjoyed The Psychology of Time Travel and If/Then). I found this was such a cool premise, having people return from centuries past and see how they adapt to the modern world, however, it was slow going. For me it picked up a little toward the end.
