The Passenger

Copertina rigida, 400 pagine

Pubblicato il 25 Ottobre 2022 da Knopf.

ISBN:
978-0-307-26899-0
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4 stelle (2 recensioni)

Nominee for Best Historical Fiction (2022) 1980, PASS CHRISTIAN, MISSISSIPPI: It is three in the morning when Bobby Western zips the jacket of his wetsuit and plunges from the boat deck into darkness. His divelight illuminates the sunken jet, nine bodies still buckled in their seats, hair floating, eyes devoid of speculation. Missing from the crash site are the pilot’s flightbag, the plane’s black box, and the tenth passenger. But how? A collateral witness to machinations that can only bring him harm, Western is shadowed in body and spirit – by men with badges; by the ghost of his father, inventor of the bomb that melted glass and flesh in Hiroshima; and by his sister, the love and ruin of his soul.

Traversing the American South, from the garrulous bar rooms of New Orleans to an abandoned oil rig off the Florida coast, The Passenger is a breathtaking novel of …

1 edizione

Cormac McCarthy Writes a Cormac McCarthy Book

4 stelle

What a strange book. Many questions posed, few answered. Conversations that you have to follow on your own. Punctuation optional. If you don't like how thick McCarthy's writing can get, you definitely do not want to read this one. I found that I could only handle a chapter (or less) at a time because I had to think so hard and pay attention to what was going on. I re-read many lines to try to understand them. Re-read entire passages to figure out who was actually speaking.

I've read a number of other McCarthy books, so I knew what I was getting into, vocabulary wise. I think as you get used to his style it gets easier to read, though.

A lot of philosophical ideas presented in the conversations between the main character and his cast of "friends." Western's role in the story felt more like a sponge for pain …

What else?

4 stelle

The best moments in Cormac McCarthy's last novel are dialogues that thread out different philosophies. They mingle the threat of nuclear war with fear of surveillance, weang physics and mathematics with literature and drama. It feels like a culmination of McCarthy's life's work, with thoughts on violence, friendship and major moments in 20th Century US history central to a story that is primarily about loss. The prose is addictively brilliant.

The beauty of the book culminates in a wonderful final section that is heartbreaking, and devastating, and perfect. It is a fitting half-farewell (accompanied by Stella Maris, released alongside this book).